Cynthia Pittmann's PhD dissertation research blog on everything related to the writer Jamaica Kincaid and autobiography - including internet exchanges, posts, videos and comments about the author and issues related to autobiography.
Monday, January 3, 2011
Joanne Hillhouse on Being a Caribbean Writer; Writing Off the Map
Interesting autobiographical essay by Antiguan writer, Joanne Hillhouse, about her 'becoming a writer' experience. Writing Off the Map...the title reminds me of the movie Off the Map. Hillhouse is humble and yet honest about her value as a writer, she compellingly writes about her struggle and desire to be a recognized writer.
Labels:
Caribbean Writer,
Joanne C. Hillhouse
Monday, December 13, 2010
Dominica: The Setting for Jamaica Kincaid's Autobiography of my Mother
Roseau, Dominica (photo credit) |
Jean Rhys' Childhood home...is in Dominica too.
We walked around the home, took photos and tried to get a sense of her life and imagined the setting for Wide Sargasso Sea.
Labels:
Autobiography of my Mother,
Dominica,
flag
Autobiographical Picasso
Trivial autobiography?
Picasso a Show Off?
Germaine Greer writes:
There is something tiresome about Picasso. Jonathan Jones put his finger on it in a piece in the Guardian last month. "Each work by Picasso is a unique piece of autobiography," he said, which signifies that each work is, no matter how dazzling, inherently trivial. To understand Picasso's works, you must regard them as "anecdotes or snapshots of a particular moment in his life". There is nothing more to most of Picasso's work than virtuosic showing off – except for Guernica. The studies for Guernica show this was one work in which Picasso forgot himself.
And what does Picasso say about himself?
Perhaps the explanation of Picasso's quixotry can be found in something he said to the writer Giovanni Papini in 1952: "Today, as you know, I am famous, I am rich. But when I am alone with myself, I haven't the courage to consider myself an artist in the ancient sense of the word. Great painters are people like Giotto, Titian, Rembrandt, Goya. I am only a public entertainer who has understood the times and has exploited as best he could the imbecility, the vanity and the greed of his contemporaries. Mine is a bitter confession, more painful than might seem, but it has the merit of being sincere."
Picasso a Show Off?
Germaine Greer writes:
There is something tiresome about Picasso. Jonathan Jones put his finger on it in a piece in the Guardian last month. "Each work by Picasso is a unique piece of autobiography," he said, which signifies that each work is, no matter how dazzling, inherently trivial. To understand Picasso's works, you must regard them as "anecdotes or snapshots of a particular moment in his life". There is nothing more to most of Picasso's work than virtuosic showing off – except for Guernica. The studies for Guernica show this was one work in which Picasso forgot himself.
And what does Picasso say about himself?
Perhaps the explanation of Picasso's quixotry can be found in something he said to the writer Giovanni Papini in 1952: "Today, as you know, I am famous, I am rich. But when I am alone with myself, I haven't the courage to consider myself an artist in the ancient sense of the word. Great painters are people like Giotto, Titian, Rembrandt, Goya. I am only a public entertainer who has understood the times and has exploited as best he could the imbecility, the vanity and the greed of his contemporaries. Mine is a bitter confession, more painful than might seem, but it has the merit of being sincere."
Labels:
Autobiography,
Germaine Greer,
Guardian,
Picasso
Thursday, December 9, 2010
Jamaica Kincaid Impacts the Jewish Community
Invisible Man, but what about the invisible woman? In this
Link to introduction
Helen Epstein- Editor's comments on Jamaica Kincaid's presentation where she selected a snapshot of her mother to display instead of a famous painting:
I was in my forties and listening to West Indian writer Jamaica
Kincaid speaking at the Isabella Gardner Museum in Boston, when
I suddenly perceived their absence (like Pnina Motzafi-Haller in
her essay about mizrahi women in Israel,I applied the insight of an
African-American woman to my own life).
African-American woman to my own life).
Jamaica Kincaid had done a brilliant and audacious thing: invited to choose her favorite painting at the museum and speak to a large audience about the reasons for her choice, she had beamed an old snapshot of her mother on themuseum’s large screen and talked about it.
All of us in the audience, of course, had been accustomed to viewing
the parade of art history on such a screen – from the Greeks to the
Renaissance masters to the Impressionists and Abstract Expressionists .
We were accustomed to oil portraits and elaborately framed photographs.
The effect of Kinkaid’s snapshot was shocking and
made the author’s point more forcefully than her words:
Had we ever seen the image ofan ordinary West Indian woman on the walls of a museum? Had we ever contemplated her face? Her body? Her surroundings? Her life?
How did we ascribe value to this snapshot when it was viewed in a
private photo album, in a newspaper, or here, in the context of other
portraits in the museum? We had all read or at least heard of Ralph
Ellison’s
case, what about an entire sub-culture usually hidden by the majority
African-American minority culture?
Link to introduction
Monday, December 6, 2010
Kincaid's First Book: At the Bottom of the River
Kincaid's first book editor Pat Strachen: Interview
Jamaica Kincaid. I read one little story called “Girl” in the New Yorker, found out who the agent was, made an offer, and signed up the book [...] We [Edna O'Brien] put together her collected stories and got Philip Roth to write the introduction and got a front page TBR [Times Book Review review].
Pat Strachen had the idea for a book of collected stories after reading Girl, which was published in the New Yorker. She was an assistant editor at the New Yorker, and later an editor. She approached Jamaica Kincaid with the book idea.
http://www.pw.org/content/agents_amp_editors_qampa_editor_pat_strachan?cmnt_all=1
Jamaica Kincaid. I read one little story called “Girl” in the New Yorker, found out who the agent was, made an offer, and signed up the book [...] We [Edna O'Brien] put together her collected stories and got Philip Roth to write the introduction and got a front page TBR [Times Book Review review].
Pat Strachen |
Pat Strachen had the idea for a book of collected stories after reading Girl, which was published in the New Yorker. She was an assistant editor at the New Yorker, and later an editor. She approached Jamaica Kincaid with the book idea.
http://www.pw.org/content/agents_amp_editors_qampa_editor_pat_strachan?cmnt_all=1
Labels:
At the Bottom of the River,
editor,
Pat Strachen
Reactions to "Girl"
one800Hollama |
way they won't recognize immediately the slut I have warned you against becoming.
Jamaica Kincaid's "Girl"
Reader reaction:
"Although the mother tells her daughter that she is bent on becoming a slut I do not believe she is saying this to hurt her daughter’s feelings, the sense in which she uses this derogatory remark makes me feel that she is trying to get her ready for the world so the daughter could shield herself. I say this because although the mother tells her child that she is bent on becoming a slut, she also teaches her daughter what medicine to make and take to abort a child. In this short text, the mother giving her daughter all of these instructions gives me the impression that she may be going away or perhaps dying."
It's remarkable that this young man is defending Girl's mother. This understanding of the mother is the reaction I also get from many of my students. They refuse to believe that the mother is intending to be cruel. They think the mother is trying to pass on her wisdom and motivate her daughter to do the right thing.
Friday, December 3, 2010
What is the location of these interview comments?
Secondary source: Her Story BBC World Service
Comments:
She felt betrayed by her mother, so that even her first experience of menstruation came as a shock to her. She says that her mother had never explained to her before what was involved in becoming a woman:
First quote:
Excerpt from Annie John:
Second quote: "I write about my mother and her influence on her children and on me all the time. She's dead now and I found that even that was a source of inspiration or something.."
Annie John excerpt:
Comments:
She felt betrayed by her mother, so that even her first experience of menstruation came as a shock to her. She says that her mother had never explained to her before what was involved in becoming a woman:
First quote:
"I went to take a bath and noticed this brown rust thing in my underwear and was terrified of it and I told my mother and, I think she thought it was the best way to act, she said 'oh yes that happens'. And I felt kind of betrayed and nobody had told me that would happen to me so young. I remember I had a lot of pain during it and fainted and had to be sent home." |
Excerpt from Annie John:
Second quote: "I write about my mother and her influence on her children and on me all the time. She's dead now and I found that even that was a source of inspiration or something.."
Annie John excerpt:
Faux My Space
A My Space was created by someone has knowledge of Jamaica Kincaid. It's a spoof that characterizes her as uneducated. Listed among her friends are her daughter, husband, father-in-law, and Tom, who probably is the author of the faux My Space.
Is Jamaica Kincaid American?
Jamaica Kincaid as part of the American Cannon
"I am very grateful for this award, this medal — named in honor of a great man, white and dead at that, I’m sorry to say — in American literature. In that sentence, it is the 'American' that is important, for this novel about a girl coming of age on a small island in the Caribbean has become part of the American canon." —Jamaica Kincaid
"I am very grateful for this award, this medal — named in honor of a great man, white and dead at that, I’m sorry to say — in American literature. In that sentence, it is the 'American' that is important, for this novel about a girl coming of age on a small island in the Caribbean has become part of the American canon." —Jamaica Kincaid
Thursday, December 2, 2010
Florida Student Examines Kincaid
Thesis link Lindsey Collins
Interest in title: Ciaan Live Split: An Old Mold and Kincaid's Intervention
Interest in title: Ciaan Live Split: An Old Mold and Kincaid's Intervention
Wednesday, December 1, 2010
Interview at New Yorks' Swank Royalton Hotel
Dwight Garner interviews Jamaica Kincaid http://www.salon.com/05/features/kincaid.html
Tuesday, November 30, 2010
Guggenheim Fellowship Award 1985
Jamaica Kincaid won the Guggenheim Fellowship Award in 1985 for fiction.
Excerpt: History of the Award:
Established in 1925 by former United States Senator and Mrs. Simon Guggenheim, in memory of seventeen-year-old John Simon Guggenheim, the elder of their two sons, who died April 26, 1922, the Foundation has sought from its inception to "add to the educational, literary, artistic, and scientific power of this country, and also to provide for the cause of better international understanding," as the Senator explained in his initial Letter of Gift (March 26, 1925).
Excerpt: History of the Award:
Established in 1925 by former United States Senator and Mrs. Simon Guggenheim, in memory of seventeen-year-old John Simon Guggenheim, the elder of their two sons, who died April 26, 1922, the Foundation has sought from its inception to "add to the educational, literary, artistic, and scientific power of this country, and also to provide for the cause of better international understanding," as the Senator explained in his initial Letter of Gift (March 26, 1925).
Island in the Sun
Alec Waugh's name comes up in Jamaica Kincaid's, A Small Place.
Kincaid is refering to 1951 British Holiday Magazine
Excerpt:
The Antiguans are a fascinating mixture of imported Africa and Colonial England, and still retain fetishes of the bush. 'Is a good moon for planting Tannias' they tell you. The moon rules their lives ...their belief in Obeah...a kind of necromancy persists (259)
One of Alec's novels was adapted to film:
Island in the Sun 1957 Farley Hills, Barbados (Mansion is now burned down)
Film adaptation of Waugh's novel. Interracial and class struggle theme.
The Loom of Youth (1917) Reflections on his education and school years. His first semi-autobiographical novel wrote openly about homosexual encounters between boys and caused him to be expelled from the exclusive old boys society (The Old Shirburnian Society)
Alexander Raban Waugh (Alec Waugh) (8 July 1898 – 3 September 1981),
Kincaid is refering to 1951 British Holiday Magazine
Excerpt:
The Antiguans are a fascinating mixture of imported Africa and Colonial England, and still retain fetishes of the bush. 'Is a good moon for planting Tannias' they tell you. The moon rules their lives ...their belief in Obeah...a kind of necromancy persists (259)
One of Alec's novels was adapted to film:
Island in the Sun 1957 Farley Hills, Barbados (Mansion is now burned down)
Film adaptation of Waugh's novel. Interracial and class struggle theme.
The Loom of Youth (1917) Reflections on his education and school years. His first semi-autobiographical novel wrote openly about homosexual encounters between boys and caused him to be expelled from the exclusive old boys society (The Old Shirburnian Society)
Alec Waugh: British World Traveler and Writer |
Labels:
A Small Place,
Alec Waugh,
Jamaica Kincaid,
The Loom of Youth
Monday, November 29, 2010
Jamaica Kincaid at Literary Festival in Antigua (2006)
Wordpress blog
Photographs and captions from the above blog: Wadadli Pen
Joanne C. Hillhouse author of The Boy From Willow Bend
Photographs and captions from the above blog: Wadadli Pen
Joanne C. Hillhouse author of The Boy From Willow Bend
A reading by Jamaica Kincaid, in Antigua, as rare as...as...rain in drought season |
Antigua's youngest writer at the time, Akilah Jardine, signing copies alongside it's best known writer, Jamaica Kincaid. |
Wednesday, November 24, 2010
Jamaica Kincaid and Hip Hop Culture?
Harvard Gazette
Excerpt:
I remember thinking: Why do boys dress like this?” observed panelist-critic Jamaica Kincaid, a novelist who watched the early blooming of rap while writing for the Village Voice and The New Yorker in the 1970s. But then droopy pants and backward ball caps penetrated white culture in the suburbs, she said, puzzling parents with the fact that “the children they love are influenced by people they despise.”
Kincaid grew to “adore” the authenticity of girl rappers like Lil’ Kim, a fixture in the 1990s, and at the same time she noted the present “authentic inauthenticity” of a performer like Lady Gaga. “Now white children like black children,” she said, “and are pretending to be black children.”
Hip Hop Harvard |
Kincaid listens... |
I remember thinking: Why do boys dress like this?” observed panelist-critic Jamaica Kincaid, a novelist who watched the early blooming of rap while writing for the Village Voice and The New Yorker in the 1970s. But then droopy pants and backward ball caps penetrated white culture in the suburbs, she said, puzzling parents with the fact that “the children they love are influenced by people they despise.”
Kincaid grew to “adore” the authenticity of girl rappers like Lil’ Kim, a fixture in the 1990s, and at the same time she noted the present “authentic inauthenticity” of a performer like Lady Gaga. “Now white children like black children,” she said, “and are pretending to be black children.”
Labels:
Harvard,
hip hop,
Jamaica Kincaid,
music
At 16 Kincaid Left -not sent from- Antigua
Rollins link
"Winters with the Writers" http://www.rollins.edu/winterwiththewriters/previousyears/2008-season.html
Excerpt:
Jamaica Kincaid was born in 1949 in St. John’s, Antigua. As an only child, Kincaid maintained a close relationship with her mother until the age of nine, when the first of her three brothers were born. At the age of 16, with a growing ambivalence for her family and a rising contempt for the subservience of the Antiguans to British colonialist rule, Kincaid left Antigua, bound for New York. After working for three years and taking night classes at a community college, Kincaid won a full scholarship to Franconia College in New Hampshire. However, after a year of feeling “too old to be a student,” Kincaid dropped out of school, returned to New York, and secured a job writing interviews for a teenage girls’ magazine.
"Winters with the Writers" http://www.rollins.edu/winterwiththewriters/previousyears/2008-season.html
Excerpt:
Jamaica Kincaid was born in 1949 in St. John’s, Antigua. As an only child, Kincaid maintained a close relationship with her mother until the age of nine, when the first of her three brothers were born. At the age of 16, with a growing ambivalence for her family and a rising contempt for the subservience of the Antiguans to British colonialist rule, Kincaid left Antigua, bound for New York. After working for three years and taking night classes at a community college, Kincaid won a full scholarship to Franconia College in New Hampshire. However, after a year of feeling “too old to be a student,” Kincaid dropped out of school, returned to New York, and secured a job writing interviews for a teenage girls’ magazine.
Jamaica Kincaid Awards and Honorary Degrees
•Induction into the American Academy of Arts and Sciences (2009)
•Member of the American Academy of Arts and Letters (2004)
•Prix Femina Étranger (2000)
•Anifield-Wolf Book Award (1997)
•Finalist PEN/Faulkner Award for Fiction (1997)
•Lila-Wallace-Reader’s Digest Fund Award (1994)
•Guggenheim Fellowship (1989)
•Morton Dauwen Zabel Award for Fiction (1985)
•Finalist for prestigious Ritz Paris Hemingway Award (1985)
•Finalist PEN/Faulkner Award for Fiction (1984)
•Anifield-Wolf Book Award (1977)
•Honorary Degrees from:
Middlebury College (1998)
Bard College (1997)
Amherst College (1995)
Long Island College (1991)
Williams College (1991)
•Member of the American Academy of Arts and Letters (2004)
•Prix Femina Étranger (2000)
•Anifield-Wolf Book Award (1997)
•Finalist PEN/Faulkner Award for Fiction (1997)
•Lila-Wallace-Reader’s Digest Fund Award (1994)
•Guggenheim Fellowship (1989)
•Morton Dauwen Zabel Award for Fiction (1985)
•Finalist for prestigious Ritz Paris Hemingway Award (1985)
•Finalist PEN/Faulkner Award for Fiction (1984)
•Anifield-Wolf Book Award (1977)
•Honorary Degrees from:
Middlebury College (1998)
Bard College (1997)
Amherst College (1995)
Long Island College (1991)
Williams College (1991)
Friday, November 19, 2010
Jamaica Kincaid in Rome, Italy
Excerpt:
Noted writer Jamaica Kincaid visited the American Academy for an event co-sponsored by the US Embassy Rome and its Cultural Attaché David Mees. Here Kincaid read from her 1990 novel Lucy to a capacity audience, and then answered questions on her past and current work in a rich discussion. Jamaica Kincaid was in Rome in conjunction with the city’s 9th Festival Internazionale delle Letterature, for which she read the following day at the Basilica of Maxentius in the Forum.
Introducing Kincaid, US Ambassador to Italy David H. Thorne |
Above, Jamaica Kincaid in audience discussion. Below, from left, Kincaid, AAR Heiskell Arts Director Martin Brody, Alice Waters |
Labels:
Jamaica Kincaid,
Photograph,
Rome Italy
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