Jamaica Kincaid Video at MIT

"A Reading by Jamaica Kincaid" The lecture hosted by MIT Program in Women's Studies, MIT Program in Writing and Humanistic Studies, Council for the Arts at MIT was held on April 4, 2007.

“I rule out the memoir. It caramelizes and beautifies things…. I wouldn’t want to know how to make a beautiful thing. Implied in memoir is forgiveness that I don’t feel. I never forgive and I never forget, and I’m never cathartic.” Jamaica Kincaid (quote from MIT World article)

Jamaica Kincaid reads Biography of a Dress (and more) at MIT

Memoir on the Influence of Indians in Trinidad and Tobago

Zobi Fredrick, who migrated first to London and then to New Jersey and now lives in Clearwater, explains the influence of Indian culture on the politics, religion and everyday life in Uprooted: From Calcutta to Trinidad, published by iUniverse, a self-publishing company.

(excerpt from South Florida Times)

Kincaid's Controversial Speech: Politics and the Garden

Jamaica Kincaid in Charleston, North Carolina

Kincaid took issue to President Monroe's VP -Daniel Tompkins and completely changes her planned speech. The organizers were angry with her" bringing politics" into the garden talk.(NPR Talk Radio)

The Author Interview

Interview
"Frankly Speaking," The Caribbean Review of Books, 2008
The best interviews naturally have an element of surprise. They are autobiography and self-delusion, literary criticism and highbrow entertainment, hero worship and exposé, journalism and creative writing, all at the same time. We expect they will offer valuable insights into a writer’s artistic process, and we hope they will also offer gossip. We want to know how our favourite books came to be — inspirations, influences, intentions — but also what our favourite writers have for breakfast, and why their marriages collapse.

And:

Experienced interview subjects (and readers) know there is an elusive relation “between authorial character, as manifested in literary works, and the personae and personalities of writers,” as the scholar John Rodden puts it in Performing the Literary Interview: How Writers Craft Their Public Selves (2001). As his title makes clear, Rodden argues that the literary interview is best understood as a kind of performance art. 

John Rodden 
Performing the Literary Interview: How Writers Craft Their Public Selves (2001)

An Interview with Jamaica Kincaid

The Missouri Review Summer 2002 25.2
Kay Bonetti

Jamaica Kincaid at the University of North Dakota Writers Conference

Jamaica Kincaid spoke recently at the North Dakota Writers Conference. You can find photos at this link
or through facebook. An attendee said Jamaica Kincaid was brilliant.

YouTube Search: Jamaica Kincaid

Jamaica Kincaid does not have control over her online image:
The Rome Literature Festival Trailer is the only authorized video of Jamaica Kincaid: It has 45 views:
The thousands of other views are from unauthorized sources. Jamaica Kincaid does not have an official webpage.

Rome Literature Festival Trailer
Featured work: Jamaica Kincaid's Lucy is translated along with her other work at
LETTERATURE 9° Festival Internazionale di Roma 45 Views July 7, 2010
Il decano y Mrs. Hess
________________
Un(?)authorized Published videos:

Junot Díaz and Jamaica Kincaid at the 92nd Street Y by 92nd Street Y 1848 Views November 16,2009

Anisfield-Wolf/SAGES Lecture by CASE (no name) 3127 Views October 26, 2009 

Student films and "Mockumentaries":

Student on sight? documentary for A Small Place 179 Views July 9, 2010


This Youtube is an amateur movie trailer for a nonexistent film, A small Place (lower case in video) staring Oprah Winfrey and is rated NC for "Extreme partial nudity"179 Views June 9, 2010
"This is a trailer for language arts class for the book a small place by Jamaica Kincaid"



Unknown satire (student?/secretmuffin124) featuring an actor pretending to be Jamaica Kincaid who is hosting a Badminton World Cup tournament.(racial stereotypes) 88 Views) July 10, 2010

Jamaica Kincaid's "Girl" by GlamazonAR 1093 Views July 7, 2009
"Comedy Sketch"

Asian students film: "Girl" EngFilms (Audio removed by site)
2041 Views February 4, 2008

Another "Girl" student interpretation: "A recreation of the short story that piles on the stereotypes of what a woman should be." (Geno Sartori:/VeniVeniVenci/Italian) 5,350 Views February 23, 2010 

A project for a college Thinking and Writing course.
 "Girl" Asian students (Japanese/XvanrAy?) for an English Class June 6, 2010

"Girl" 2754 Views February 22, 2008
"Jamaica Kincaid is a famous writer from Antigua who wrote for the New Yorker way back when. This was a slide show based on her story "Girl" If you want to understand the slide show look up her story. It's quiet interesting."

An unprofessional video of Jamaica Kincaid seated talking into a microphone in Israel(? ) The video highlights her shoes.307 Views Estsegal1 May 3, 2010

Jamaica Kincaid hosts film: "Sugar Cane Alley"

Jamaica Kincaid in the Dakota community: A Writer's Conference

University of North Dakota on Friday and Saturday April 1st and 2nd

Excerpts:   
Final days: Friday and Saturday are the final days of the annual UND Writers Conference, including Friday night’s “Great Conversation” with author Jamaica Kincaid, at 8 p.m. at UND Chester Fritz Auditorium. All Writers Conference events are free and open to the public. A story about the Writers Conference and a schedule are published elsewhere in Friday’s Herald.

Jamaica Kincaid will take over at 6 p.m. with a showing of Sugar Cane Alley, a film about the life of a family on the Caribbean island of Martinique.  The evening and conference will close with "A Great Conversation with Jamaica Kincaid" at 8 p.m. (April 1, 2011)

Kincaid's writing featured as "Literature of Domesticity"

Kathy Goldner, founder of Out Loud Audiobooks, will give a presentation on the Literature of Domesticity
at Belfast library ME. Tuesday, March 8, 2011 at 6:30 p.m. at Belfast Free Library, 106 High St.

Excerpt from article:   Goldner will feed the audience luscious tidbits from her favorite authors and explore the beautiful and moving, sensual and funny world of food, garden and knitting writing with Colette, Jamaica Kincaid, Bill Bryson, Vita Sackville-West, Angelo Pellegrini, Katherine White and others.

Goldner was taught to knit by her German grandmother, a World War II refugee and psychoanalyst who knit while listening to her patients. Returning to knitting many years later, Kathy founded Knitting Out Loud so that knitters could listen to histories and essays on their craft while knitting.

http://waldo.villagesoup.com/ae/story/domestic-lit-at-belfast-library/383448

Allen Shawn Interview

2-17-2011 Haartz.com
http://www.haaretz.com/culture/books/questions-answers-a-conversation-with-allen-shawn-1.343963

Interview by David B. Green

Questions and Answers: A Conversation With Allen Shawn

Excerpt(s):

On Jewish influences and family decisions about religion:


When I had children with my first wife [the writer Jamaica Kincaid], I didn't want them baptized. She grew up as a Methodist. I just thought it was terribly important to acknowledge the background that they had and have had, and in the end my wife converted to Judaism. She in fact became quite an expert on the subject and was for a time the chair of the board of the local temple. And my son had a bar mitzvah and my daughter had a bat mitzvah. They learned some Hebrew. As a result, I was in a synagogue quite a bit and was terribly moved to get to know a little more about Judaism.

On the privacy and personal autobiographical element:

 Your books are indeed both very personal and also fascinating introductions to mind science and the eternal nature-nurture debate. Was it hard to strike such a balance?
 Obviously, I tried very hard to find that balance. On the one hand, I tried to "personalize" the science, and on the other, to abstract my personal experience - or universalize it. I removed almost everybody's name from the body of both books, so that the books would be about family life and about fear and about mental disability, about difficult decisions and about loss - about themes that do apply to everybody - and not so much about the Shawn family specifically. Nevertheless some people still do put the gossip factor back into the book, and that is probably inevitable.

On his parents sending his twin Mary to an institution:

 I feel tremendous sympathy for my parents, dealing with what they had to deal with. Some people try to simplify these issues, how to deal with a child who is on a different plane than the rest of the family, but it is not so simple to determine what is best for the child, and what's best for the family. It requires incredible patience for those who are with Mary day in and day out.

Allen Shawn New Book: Twin

Jamaica Kincaid's ex-husband Allen Shawn writes another memoir: Twin: Overcoming Remoteness
Positive book review by Michael Roth (President, Wesleyan University) February 6, 2011
Huffington Post

Excerpts from article:

It was only in recent years, as he prepared his subtly powerful and personal study of phobia, Wish I Could be There, that Shawn came to realize just how important Mary has been for him. Before that, all he felt "was a kind of blank place inside, where memories and feelings should have been." With Twin he tries to fill in that blank space, or at least to explore its contours.
~~~~~~~~~~~~~~~~~~~~~~~~

Shawn writes beautifully, with an elegance, candor and tact that are remarkable. He is personal without ever being gossipy, and so this is not the book for those who want more dish concerning the decades-long secret relationship of his late father, New Yorker editor William Shawn, with staff writer Lillian Ross, or about the author's own 20-plus-year marriage to writer Jamaica Kincaid. His father's relationship is discussed because it now seems key to understanding the "religion of denial" in the Shawn household, but his own marriage and divorce are off-limits. Whether this is discretion or simply a continuation of the family tradition of avoidance is impossible to say.

Kincaid's Positive Reception

Article PDF links and Kincaid biography

Also excerpt from A Small Place

Brandis University article quote: The Justice.org The Independent Student Newspaper of Brandeis University

Kincaid said she feels a sense of narcissism and vanity about writing and reading her work to an audience, but added she takes more pride in growing a difficult flower than in her novels once they have been published. She showed her modesty and humor when talking about how all of her work is autobiographical, even if it's fiction, by saying, "It's not clear I'm really a writer. I aspire to be one," which elicited a chuckle from the audience.

Kincaid's new novel about Mr. Sweet...Is it autobiographical? Quote from Brandeis article 2006

After an introduction from Prof. Faith Smith, who chairs the Afro- and African-American Studies department, Kincaid, 57, surprised the crowd-so familiar with her bold, often angry prose-with a soft-spoken, British-Caribbean voice that was so hushed that the audience was inspired to stop eating their provided refreshments and listen. Standing tall with a head of neat corn-rows and a raindrop-shaped face, Kincaid gave a casual introduction to her new novel. The story deals with the Sweet family, who live in a small house in a small village, beginning with the birth of a son. Kincaid described the structure as involving a narrator who sometimes sees the future, sometimes sees the past and sometimes sees reflections of the past in the future; a format she said "sounds confusing, but makes sense to me." In the first pages of her work, through the eyes of the narrator, Mrs. Sweet is seen reflecting on both the destiny of her baby Heracles and on birth in general, which she describes as "a person forcing themselves out into a new set of experiences."

 Article by Kate Willard at the Justice.org Brandeis University October 10, 2006
The long url: 
http://media.www.thejustice.org/media/storage/paper573/news/2006/10/10/Arts/Assertive.Attitude.And.Literature.Comes.To.Brandeis-2341120.shtml?norewrite200611091452&sourcedomain=www.thejusticeonline.com

New Play by Bess Wohl

Playwright Bess Wohl

Bess Wohl studied writing with Jamaica Kincaid
Pioneer Theater Company presents "IN "

Playwright Bess Wohl's other plays include Touch(ed), Fake and Cats Talk Back. Her screenplay adaptation of In was included on Hollywood's "Black List of Best Scripts." Since its premiere at Pioneer Theatre Company last season, Touch(ed) has been nominated for the American Theatre Critics Association Steinberg New Play Award. Cats Talk Back, a comedy, won the award for Best Overall Production at the NYC International Fringe Festival. Wohl recently wrote an original drama pilot for Fox, and is currently at work on a drama about meat for HBO. Her plays have been developed at The Vineyard Theater, The Pittsburgh Public Theater, The Northlight Theater, TheaterWorks, and The Geffen Playhouse. As an actress, Wohl has appeared onstage in New York, regionally and at Williamstown Theater Festival (five summers) and in numerous films and TV shows. She holds an MFA from the Yale School of Drama, as well as a degree in English Literature, magna cum laude, from Harvard, where she studied writing with both Seamus Heaney and Jamaica Kincaid.

Read more: http://saltlakecity.broadwayworld.com/article/Pioneer_Theatre_Company_Presents_IN_by_Bess_Wohl_20110203#ixzz1D0lbJJMZ

Mauritius: Georges by Alexander Dumas

The Armchair Traveler 
 Forward in The Modern Library hardcover edition by Jamaica Kincaid.

Joanne Hillhouse on Being a Caribbean Writer; Writing Off the Map

Interesting autobiographical essay by Antiguan writer, Joanne Hillhouse, about her 'becoming a writer' experience. Writing Off the Map...the title reminds me of the movie Off the Map. Hillhouse is humble and yet honest about her value as a writer, she compellingly writes about her struggle and desire to be a recognized writer.

Dominica: The Setting for Jamaica Kincaid's Autobiography of my Mother

Roseau, Dominica (photo credit)

Dominica Link

Jean Rhys' Childhood home...is in Dominica too.
We walked around the home, took photos and tried to get a sense of her life and imagined the setting for Wide Sargasso Sea.

Autobiographical Picasso

Trivial autobiography?

Picasso a Show Off?
Germaine Greer writes:
There is something tiresome about Picasso. Jonathan Jones put his finger on it in a piece in the Guardian last month. "Each work by Picasso is a unique piece of autobiography," he said, which signifies that each work is, no matter how dazzling, inherently trivial. To understand Picasso's works, you must regard them as "anecdotes or snapshots of a particular moment in his life". There is nothing more to most of Picasso's work than virtuosic showing off – except for Guernica. The studies for Guernica show this was one work in which Picasso forgot himself.

And what does Picasso say about himself?

Perhaps the explanation of Picasso's quixotry can be found in something he said to the writer Giovanni Papini in 1952: "Today, as you know, I am famous, I am rich. But when I am alone with myself, I haven't the courage to consider myself an artist in the ancient sense of the word. Great painters are people like Giotto, Titian, Rembrandt, Goya. I am only a public entertainer who has understood the times and has exploited as best he could the imbecility, the vanity and the greed of his contemporaries. Mine is a bitter confession, more painful than might seem, but it has the merit of being sincere."

Jamaica Kincaid in Dominica Learning about America

Transitions

Jamaica Kincaid Impacts the Jewish Community

Invisible Man, but what about the invisible woman? In this

Helen Epstein- Editor's comments on Jamaica Kincaid's presentation where she selected a snapshot of her mother to display instead of a famous painting:

I was in my forties and listening to West Indian writer Jamaica

Kincaid speaking at the Isabella Gardner Museum in Boston, when

I suddenly perceived their absence (like Pnina Motzafi-Haller in

her essay about mizrahi women in Israel,I applied the insight of an
African-American woman to my own life).

Jamaica Kincaid had done a brilliant and audacious thing: invited to choose her favorite painting at the museum and speak to a large audience about the reasons for her choice, she had beamed an old snapshot of her mother on themuseum’s large screen and talked about it.

All of us in the audience, of course, had been accustomed to viewing

the parade of art history on such a screen – from the Greeks to the

Renaissance masters to the Impressionists and Abstract Expressionists .

We were accustomed to oil portraits and elaborately framed photographs.

The effect of Kinkaid’s snapshot was shocking and

made the author’s point more forcefully than her words:

Had we ever seen the image ofan ordinary West Indian woman on the walls of a museum? Had we ever contemplated her face? Her body? Her surroundings? Her life?

How did we ascribe value to this snapshot when it was viewed in a

private photo album, in a newspaper, or here, in the context of other

portraits in the museum? We had all read or at least heard of Ralph

Ellison’s

case, what about an entire sub-culture usually hidden by the majority

African-American minority culture?

Link to introduction