Saturday, September 24, 2011

Autobiography and Persona

Autobiography and Persona

Persona: The parts of our personality that are visibly manifested. (Carl Jung)
Reading about self and autobiography, it is likely that you will come across the idea of persona and authenticity. Persona can be thought of as the public self, the part that is visible because it is shared. If the self that is shared closely matches the self as it is experienced by the sharer (the autobiographer), then it tends toward being authentic. If the self that is shared through an autobiographer’s persona does not match the private experience, then it is inauthentic. Some could say it is false, however, there is some doubt about whether the authentic or core self exists.
The experience of real, as in “this is who I am”, changes over time and may seem real to the author at the time of writing. Additonaly, the author may decide that it is acceptable to shift the facts and compromise aspects of internal meaning, in order to communicate “better.” Still many memoirist realize that if “better” means that the writing is shaped in a consistant way,  a logical coherent presentation of a life, it’s likely that the story will be inauthentic. Most lives are  not consistant as people hold opposing ideas; which are ideas that conflict with each other in a non-unified self.
Thomas Larson, author of The Memoir and the Memoirist separates the meaning of persona by classifying autobiography and memoir in different categories of life-writing. “Autobiography is written by the public person who tells the birth-to-death story of her persona. By contrast, the memoir allows the authentic self to lift the mask and tell the story of how mask and self have been intertwined.”(129) Larson’s theoretical frame of reference is Jungian, and he believes that a core self exists and can be made visible through analysis and self-reflection, which may include life writing.  In his view, “The memoir’s aim is to beget the authentic self to come forward, to assume the mantle; expose the inauthentic,” and this can be done through the attempt at honest writing.
Jamaica Kincaid is a writer whose persona shifts, and her inconsistencies are part of the creative process of her shared life experience. She does not cultivate personality coherence, and resists being labeled and conveniently categorized. Would she be considered inauthentic by Larson? As long as Kincaid continually revises her identity, shifting and processing what feels real at the moment, it would have to be authentic. However, that does not mean that others who read her would notice (or want to notice) some of the inconsistencies. It is inconvenient to have to adapt the categories; feminist, African American, and Caribbean, to include someone with so many consistency-breaks in her persona. Kincaid does not want to police herself, in part, because she writes about power dynamics. And these encompass groups of experiences that are authentically true for many people.
Jana Evans Braziel, author of Caribbean Genesis, suggests that Kincaid is resisting a literal reading of her work by her conflicting statements about meaning and intention. She writes, “Kincaid’s project is undeniably about autobiography, but not one that can be unambiguously read, consumed, known mastered, and not necessarily her own, though autobiographical elements clearly enter into and find creative and imaginative representations in her writings.” (7)
Kincaid writes autobiographically, no doubt, but I don’t think that she intends to dramatically shift the truth for the sake of the narrative. Her writing comes from a creative truth that has a kind of emotional authenticity. Braziel quotes  Kincaid in My Brother, where she has a conversation with Devon about an incident that happened during her childhood. (Kincaid had written that her mother tried to abort her son.) In the quote, Braziel leaves out the part where Kincaid admits that both she and her brother know that she is lying about her work being fiction. She says that they decide not to talk about what is true. I think it’s pretty clear that she is admitting that the child who survived an abortion attempt was her brother.
People are authentic in many ways, and though it may seem counter-intuitive, one way that the persona is authentic is by showing inconsistencies.

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