Showing posts with label Cynthia Pittmann. Show all posts
Showing posts with label Cynthia Pittmann. Show all posts

Friday, September 19, 2014

Kincaid Connections

"Earlier this year, I finally met Jamaica Kincaid, my all-time favorite writer from Antigua, when New York Arts’ hosted “The Year of James Baldwin” a 15-month celebration of the author’s essays, plays, and activism. After her panel discussion, I ran up to Ms. Kincaid, hugged her and asked her why she never responded to an email that I sent her years ago detailing the similarities of her life to my mother’s and my strong ambivalence of being at once Antiguan and American, and quite frankly, not feeling like either most of the time. One of the fast friends that I made at the event snapped a pic of Ms. Kincaid and me and emailed it to me. It would be a few days before I opened it up and become deeply saddened by Ms. Kincaid ‘s resemblance to my aunt, who, like my mom, had done her time in America as a nurse and had returned to Antigua to go “rest sheself.” Mama Kincaid’s beautiful brown skin had no cracks, but did exhibit visible folds and creases. I worried. I worried about what would become of Caribbean literature when Kincaid put her pen down for good. I mean, who would write about hating their mothers, colonization, white supremacy, isolation, the wretched effects of unattended loneliness, and human suffering in such a hypnotic and uncomfortable way that overwhelms, comforts, and transforms?"

~ Tonya Garcia



 - See more at: http://madamenoire.com/449534/naomi-jackson-tiphanie-yanique-two-contemporary-caribbean-writers-must-know/#sthash.7GQA730I.dpuf

Saturday, May 17, 2014

Kincaid Inspires Reflection

How is Jamaica Kincaid relevant? Consider this Comment by By Terrence J. Roberts, Ph.D.

I attended a lecture last year by noted author Jamaica Kincaid. During the question-and-answer period following the lecture, a young white male raised his hand. “What can I do to help?” Ms. Kincaid looked at him, not without compassion, and was silent for many seconds. “Young man, there is nothing you can do to help.”
There was a collective, almost imperceptible, holding of breath as we audience members braced ourselves for what might follow. “Because,” she said, “what I want is for none of this ever to have happened.” We breathed again, not so much in relief but in resigned acceptance of a shared reality that seemed totally immune to any of our attempts to change it.
Link to full article:
http://wavenewspapers.com/opinion/article_c39cb126-dc88-11e3-b59a-001a4bcf6878.html?TNNoMobile

Thursday, March 20, 2014

Should a Movie be Made of Kincaid's Novel "Lucy" ?



LUCY GOES TO HOLLYWOOD

Can a novel ever be made into an excellent film?

Most literary works suffer when being represented as screen plays. The characters change, the plot changes and sometimes even the conclusion is different.

Still discovering that Kincaid's novel, Lucy is being made into a film is exciting.

I can hear the au par Lucy speaking from the pages of Kincaid's novel,

 "Let's just say I work here until Hollywood discovers me." It would be great to say -

LUCY YOU'VE BEEN DISCOVERED!


Tuesday, June 18, 2013

Interview with Jamaica Kincaid




Does Truth Have a Tone?

Lauren K. Alleyne interviews Jamaica Kincaid
June 17, 2013

"For this interview, Kincaid spoke with me early one morning via Skype (once she’d awakened her son to help her figure out “how it worked”). We only used the audio feature, as she assured me I was missing nothing but the rumpled sight of her drinking coffee in bed. When she learned I was from Trinidad, she confessed to having made up, as a child, a cousin from Trinidad named Jillian—a way to keep up with her friends, who all seemed to have tons of relatives. I offered her use of my cousin of the same name, and so we began our conversation about fiction, non-fiction, history, and what it means to tell the truth."

– Lauren K. Alleyne for Guernica

Follow the link to read the interview:

http://www.guernicamag.com/interviews/does-truth-have-a-tone/

Tuesday, May 14, 2013

KINCAID IS OFFENDED

Jamaica Kincaid, 2010. (Elisabetta A. Villa/Getty Images)
KINCAID IS OFFENDED BY THOSE WHO READ HER NEW NOVEL AS AUTOBIOGRAPHY! 

Book Review 
 


I'M IMAGINING THE DAISY FLOWER: SHE LOVES ME? SHE LOVES ME NOT?

AUTOBIOGRAPHICAL: 

"See Now Then is about the failing marriage between a writer and a composer living in a small New England village. The writer, Mrs. Sweet, is black and from the Caribbean, and her husband, Mr. Sweet, is white and comes from a princely faction of New York “entitled to doormen, no matter what.” The book’s premise appears to be borrowed from Kincaid’s own life: In 2002, her 20-year marriage to the composer Allen Shawn ended in divorce. Kincaid continues to live in the Bennington home they shared."

NOT AUTOBIOGRAPHICAL: 

"Kincaid, however, is offended by the notion that her fiction is autobiographical. “It’s belittling to think that what I’ve done hinges so much on my own life. It’s as if the reality of what I’ve written is hard to take in so that people must ask about my life rather than what I’ve written,” Kincaid said. “The purpose of the novel wasn’t to talk about the intimate details of my life. The biggest character in the book is the thing we call time: What connects you to tomorrow."

Friday, February 22, 2013

Review Again See Now Then

"Writers make uncomfortable kin." Jamaica Kincaid

 No doubt! Jamaica Kincaid draws attention to that issue in her new novel SEE NOW THEN. Check out the following review where the author's life is directly referred to when reviewing her fictional novel.


JAMAICA KINCAID
Photo by Ann Summa for The New York Times


February 22, 2013

Home Truths

"Yet Kincaid, it seems, can never breathe easy. “See Now Then,” her first novel in 10 years, examines the hidden fault lines of a happy family that might be seen as an allegorical version of her own. Composed in incantatory prose, a “Mrs. Dalloway”-like loop of multiple viewpoints, including passages quoted or imagined from Kincaid’s other books, the novel examines — in strains hurtling from satire to fairy-tale innocence to raw pain — the faulty nature of perception."

Wednesday, February 13, 2013

See Now Then

Recent Review

 

 

 How does Jamaica Kincaid's veiled self-reference influence the reading of her new book, "See Now Then"?

All of this is relevant because Kincaid, the author of more than a dozen books, is a public literary figure. And seen through the lens of some basic but widely known facts of her life, reading "See Now Then" becomes quite a different experience.        
                                                                                     

"by the time I reached that last passage, the domestic complications of See Now Then began to lose their entirely magical and allegorical qualities and feel more like the nastiness of a real marriage." His sense of the similarity between the author's life and the artistic work, causes him to conduct some research about her personal life. In his reading, knowing that the family composition and marital disagreement are close or shared with the author interrupts his ability to read the work as art (literary prose) alone. 

In fact he recommends readers who do not know about her life to avoid the details and warns them to stop reading his review because, "you would enjoy it more." The parallels that he points out between the character Mrs. Sweet and the author Kincaid are that she gardens, lives in small town New England, and the family composition are the same, which taken alone are not so significant. For him, the most impacting similarity is that as the husband and wife trade insults, the physical attributes commented upon are similar to those of the author and her ex-husband's physical appearance. He said the resemblances were disconcerting and he began to feel "voyeuristic." Later, the indications about the father's aggressive feelings toward the son and his possessiveness towards the daughter seem to "express a very personal, private hurt." Tobar concludes that the book deserves to be read as fiction, and yet he clearly cannot avoid making connections. He reads it as a veiled  memoir. Certainly, this is a favorable review and yet he concludes:"There are two ways to read Jamaica Kincaid's mesmerizing new novel, See Now Then.The first is the way any work of art should be read: by simply absorbing what's on the page. This is how I read the first two-thirds of See Now Then."

What is important about this review is that even though the reviewer did not know much about Jamaica Kincaid's personal life before reading her novel, he was still influenced by the presence of the autobiographical within her writing.When I heard audio recorded readings of sections of this work, I noted that the audiences laughed at what seemed to be insider jokes; for example, comments that could be about her daughter and son's behavior (but presented in this fiction) has a familiar feeling. For readers who are familiar with the author's previous works, the influence of her autobiography will likely be more forceful.


Monday, February 4, 2013

Jamaica Kincaid's "See Now Then" is Published

Anticipating Reactions to the Autobiographical in Jamaica Kincaid's See Now Then

( Elisabetta A. Villa, Getty Images / February 1, 2013 )
Jamaica Kincaid at Festival Delle Letterature Di Roma 2010



"There are two ways to read Jamaica Kincaid's mesmerizing new novel, See Now Then. The first is the way any work of art should be read: by simply absorbing what's on the page. This is how I read the first two-thirds of See Now Then."




See Now Then
A Novel
Jamaica Kincaid
Farrar, Straus and Giroux: 192 pp., $24

It becomes impossible to avoid the personal life story of Kincaid during his well-intended reading: READ AS ART. 
Tobar who has little knowledge about Kincaid's personal life but he becomes too tempted to verify details and consequently, does some research and reports on the findings. His research changes the reading from simply ART to Art -Influenced-Autobiography and it completely changes the meaning of her work. He writes that "All of this is relevant because Kincaid, the author of more than a dozen books, is a public literary figure. And seen through the lens of some basic but widely known facts of her life, reading "See Now Then" becomes quite a different experience." Similarities about the physical appearance of Mrs. Sweet to Kincaid and Mr. Sweet to her former husband, Allen Shawn begin to create another layer of meaning in the work- it begins to feel "uncomfortably voyeuristic"  as he reads.  I await the arrival of my copy and my own sneak peek  into Jamaica Kincaid's life.

Sunday, January 27, 2013

Jamaica Kincaid Girl Audio Recording


I imagine that Jamaica Kincaid lived in a house such as the above when she was a child.

Jamaica Kincaid takes her children to the school bus in Vermont.

Jamaica Kincaid reading (photo credit and link to Girl text)

 Listen...to Jamaica Kincaid's voice...

Kincaid reads her short story "Girl"

Tuesday, November 6, 2012

Memoir




"If you were to write an autobiography, you would have to spend a lot of time at the courthouse, looking up the date your great-grandfather was born, what year your father bought the house on Elm Street. The research for a memoir can be done in an easy chair. Close your eyes and try to recapture the moment you bought your first car, learned you were pregnant, met the President or wobble down the street on a two-wheeler."http://www.squidoo.com/memoir-examples